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August 17, 2009

The Tondo

A tondo (plural: tondi or tondos) is a round painting or sculpture or other circular work of art. The word comes from the Italian "rotondo" (round, or rotund).

John the Evangelist - 1525
Jacopo Pontormo

Round paintings were made in ancient Greece on the inside of vases and inside large shallow wine cups called kylikes or kylixes or kylices (singular form: kylix). Subjects included scenes from mythology and from everyday life.


Kylix
Achilles tending Patroclus wounded by an arrow
c. 500 B.C.
Sosias

Kylix
Zeus courting Ganymede - 450 B.C.
The Penthesileia painter

During the Renaissance round pictures again became popular, especially in Italy, where the name "tondi" came from. They were made on large dishes and trays and also on plaques, medallions, etc. According to this (short) Encyclopedia Britannica article, the tondo of the Renaissance "was derived from round reliefs of subjects...that had been used in wall tombs."

Rudolf Arnheim says in his book, The Power of the Center that deschi da parto became circular during the Renaissance. There is an article on the Metropolitan Museum of Art site that tells about deschi da parto. (The singular form of deschi da parto is desco da parto.) These were wooden "birth" trays which were used "as...service tray[s] for the mother during confinement and later displayed on the wall as a memento of the special occasion." These round trays were painted with religious images.

A Desco da Parto
Masaccio (1401 – 1428)

It was in the fifteenth century that paintings were first made to be portable (i.e., not fixed into place in churches, etc.) allowing people to hang a picture wherever they wanted. These were often religious images, and religious images happen to be especially appropriate subjects for round paintings.

One of the earliest artists to create round paintings in the Renaissance was Jean Malouel, who created this tondo:

PietĂ 
Jean Malouel (French - active 1396-1419)

Andrea della Robbia made glazed terracotta reliefs, often round ones. Here is an example.


Madonna with St. John the Baptist adoring the sleeping Child
Andrea della Robbia (Italian - 1435–1525)

Other artists who produced tondi during the Renaissance include Boticelli and Michelangelo.


Virgin and Child with the Infant St. John the Baptist
1490-1500
Sandro Botticelli


Holy Family
Michelangelo (1475-1564)

The tondo has often been used in architecture, but "portable" circular artworks have not been as popular since as they were during the Renaissance.

Rose window
Basilica of St. Remi in Reims

When composing a picture, the round shape of a tondo presents design challenges, Even the ancient Greek artists, when they made their vases and wine cups sometimes produced awkward compositions, for example:


Greek kylix - Youth pouring wine with an oinochoe in Dionysos' kantharos
Triptolème painter

Some are more, and some are less, clumsily composed than this one, of course. Awkward looking pictures in a round format often look as though they were initially composed to fit into a rectangular frame, then the artist placed a circular template over the rectangular composition and cut around the edge to make a tondo. Others look as though the contents of the picture were squeezed into the round format with the same ghastly results that Cinderella's stepsister experienced when she squeezed her large foot into Cinderella's dainty glass slipper. There are also other ways of making the round picture less successful than it could be. Furthermore, there are some subjects that in any case aren't seen at their best in the shape of a tondo (while there are some that seem perfect for the shape).

The circular shape is especially appropriate for religious and mythological subjects. I will write about why the round format is good for "otherworldly" fantasies and religious scenes in a future post...and will attempt to explain what must be kept in mind when pictures made for tondi are composed and what some of the design challenges are.

3 comments:

Brian McGurgan said...

I look forward to your next article on tondos, Jean, as I couldn't help wondering while reading your post what the implications of trying to work in a circular format would be. Since our overall field of vision is closer to a circle than a square or rectangle, it seems like use of a circular format would be a natural fit for representational paintings - yet one seldom sees this done in practice.

Jean Vincent said...

Thanks very much for your comments, Brian. That's a very interesting way of looking at it -- It gives me food for thought and is something I'll keep in mind while I try to explain why "otherworldly" subjects are in general better suited for the round format than "what I can see in front of me" subjects. - Jean

kikki said...

contemporary art in tondo:
http://www.federicaferzoco.it/sito/regressione_3.html

http://www.federicaferzoco.it/sito/vicinie_2.html

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